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open Underground Lounge and artLAB |
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LABfactory
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Anja Junghans, Jan Tabor |
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discourse / symposium
underground urbanity 2
The measuring of urban space
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lecture
conversation
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Urban public space is under political und theoretical debate. Will it disappear or not? Is the city remeasured because of social networks or the dispersion of smartphones with mobile internet options? Does public space develop on another layer or will this trend stengthen its commercialization?
Urban and virtual spaces interfere with each other. „die Urbanauten“, a team of artists and urbanists from Munich, interprete this new sphere as „ public interspace“. This development might be a danger to the future of urban societies but also a chance for them. Anja Junghans will explicate this thesis, Jan Tabor will critically comment on it.
lecture Anja Junghans
commentary Jan Tabor
Modoration Jan Deck
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Anja Junghans
ist Kulturwissenschaftlerin und Mitglied der Gruppe 'die urbanauten', die sich 2002 in München als Debattierclub gründeten, um einen grundlegenden, stadtübergreifenden Diskurs über die Gestaltung und Funktion der öffentlichen Räume zu führen. Seit 2003 haben sie ihre Diskussion zunehmend für ein breites Publikum geöffnet: Mit öffentlichen Debatten und Vorträgen, mit Experimenten und Exkursionen im und in den öffentlichen Raum, mit Texten zum Thema und eigener Forschung
Jan Tabor
ist Architekturtheoretiker, Kulturpublizist, Ausstellungsmacher, Wien - Brünn; Lehrtätigkeiten an der Universität für angewandte Kunst, Institut für Entwerfen, Zaha M. Hadid, Akademie der bildenden und angewandten Künste, Bratislava und Architektur Fakultät, Brünn. |
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| 19:00 |
Start Parcours
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meet your guides - go on tour
see destinations 
Real-simulation of the Underground City and journey through the city without city |
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Theater Nestroyhof Hamakom
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Parcour-Station
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> the truth is worth to risk... <
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Open Space
performance - Ausstellung
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Projekt Curator: Gülsen Bal
participating artists:
Libia Castro and Ólafur Ólafsson
Ana Hoffner
Şener Özmen and Cengiz Tekin
The exhibition the truth is worth to risk... brings the works that engage an evolving process of producing a pluralistic approaches in its multiplicity provoking an encounter together on a visual and discursive level.
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Coinciding with remaining and current political situations in various corners of the world that propagate the actual fact of “changing places, losing the way and the expectations of return”, this inter-disciplinary project appears to aim to create a dynamic structure against/beyond representation by introducing an incomplete open system to static structures. In addressing these matters of concern, however, a far broader issue emerges. Key to this is the processes of “existential territories”, and this requires going beyond the boundaries of dichotomies in search of “possible futures”; allowing for undefined constraints and their far reaching consequences to be transcended. |
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Open Space :: see details
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Theater Nestroyhof Hamakom
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| 20:30 |
Jan Deck / Thomas Jelinek u.a |
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Center of Town
interactive market performance
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interactive-performance
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The market and reloading point of Underground City – The Agora of freedom of speech / opinion and exchange. The centre of the Underground City is being staged.
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| 21:30 |
Brigitte Wilfing |
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underground virus
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performance
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©Jorge Sánchez-Chiong
idea, concept, performance: Brigitte Wilfing
light, set design, dramaturgical input: Thomas J. Jelinek
music: Jorge Sánchez-Chiong
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speeding up downwards: doing underground
The usurpation of subcultures by the mainstream makes their differentiation redundand. By now, the mainstream has even been orienting itself towards the minorites and is significally responsible for the creation of the commodity of "minority". This raises the question if at all or on which basis we can distinguish between a product of affirmation from a product of resistance.
In the lecture-performance the performer will use music subcultures, especially the Riot Grrrls movement, as a springboard to her world of contemporary dance and theatre. “doing underground” means also doing your own thing by making anti-bourgeois gestures, poses of resistance and behaving in dissident ways.
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Brigitte Wilfing's artistic work as a choreographer, music-/performer and contemporary dancer is marked by the collaboration with artists of different media and theorists. Her inter- and transdisciplinary projects focus on popcultural topics, on the combination of conceptual art with street art and the connection of theory and practice. In her music-project demimondaine she adopts both masculine and feminine behaviour patterns/movement codes to create a nontrivial physicality. Thus sexual identities become a pleasurable playground for performative practices and bodypolitics. Her work can take the form of performances, lecture-performances, installations and concerts. |
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| 23:00 |
Lena Wicke-Aengenheyster / Sascha Neudeck |
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MONSTERFRAU
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concert performance |
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But whose breast are we talking about? Private property –
Private property on production facility - resource, means of production, investment goods, capital equipment. The Burqa Woman becomes MONSTERFRAU, the most private becomes a means of production. Chic, hip, trendy: the total prostitution sets in. Queer mother. A ritual for the self-liberation for all capitalists.
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Lena Wicke-Aengenheyster was born in 1980 in Hadamar (D). She studied applied theatre research in Giessen (D) and Rennes (F) under the guidance of Heiner Goebbels, Helga Finter, Gerald Sigmund and Marina Abramovic. She works as a free producer and performer in Vienna. 08/2006 – 09/2008 she was production manager for the theatercombinat. Since 09/2006 she has been part of the theatre companies God's Entertainment and Super Nase & Co. and since 01/2009 of STAATSAFFAIRE.
www.staatsaffaire.com
Sascha Neudeck works and lives as an musician in Vienna.
"After spending many years behind the laptop, my desire to make sound without computer grew increasingly. Actually I play (...) solely with my selfsoldered devices (...) SubtleNoiseMaker."
In Cooperation with xx+xy visuals, Jos Smolders, Christopher McFall, David Velez, Adrián Juárez, (etre), Staplerfahrer und Heribert Friedl. Labels nocords, TIBProd., entr´acte
www.sascha-neudeck.com
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LABfactory / Theater Nestroyhof Hamakom
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| 00:00 |
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PARTY
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